电影Pans Labyrinth是一部充满神奇元素的奇幻电影。情节讲述了两个故事情节，现实和神话世界，这是女孩奥菲莉亚的想象。实际上，奥菲莉亚和她怀孕的母亲一起旅行，与维达尔船长住在一起。她的母亲在生下她的兄弟时去世了。 Ofelia也终于死了。在童话故事中，Ofelia是地下世界的公主。她只能通过完成三项任务回去。导演用象征性的场景，人物和物体来传达批评战争，表达和平美好愿望的主题。
故事的背景具有象征意义。整部电影在现实与神话世界之间交织在一起。实际上，故事发生在法国政权时期。弗朗哥主义的队长杀害了无辜的人民并追捕了反法兰克战士。杀戮的阴谋是残酷和血腥的，电影的颜色是黑暗和令人沮丧的。然而，在神话般的故事中，Ofelia被一些仙女引导到迷宫中，这个迷宫被牧神守护着。 Faun要求Ofelia完成三项任务，只有完成任务后她才能回到黑社会成为公主。在电影的结尾，奥菲利亚在现实中死去，但在神秘的故事中，她回到了黑社会，并在那里遇到了她的父亲和母亲。事实上发生的故事是现实世界的真实反映，其中无辜的人被杀。童话故事暗示人们追求稳定的生活，期待和平。
The film Pans Labyrinth is a fantasy movie with magical elements in it. The plot is told in two story lines, the reality and a mythical world, which was an imagination of the girl, Ofelia. In reality, Ofelia traveled with her pregnant mother to live with Captain Vidal. Her mother died while giving birth to her brother. Ofelia also died at last. In the fairy tale, Ofelia is the princess of underground world. She could only go back by finishing three tasks. The director uses the symbolic setting, characters and objects to convey the theme of criticizing the war and expressing the good wishes of peace.The setting of the story has a symbolic meaning. The whole movie intertwines between the reality and the mythical world. In reality, the story takes place during the Francoist regime period. The Francoist captain killed innocent people and hunted down anti-Franco fighters. The plot of killing is cruel and bloody and the color of the movie is dark and depressing. However, in the mythical story, Ofelia was guided by some fairy to the labyrinth, which was guarded by faun. Faun asked Ofelia to finish three tasks and only if she finished the task could she go back to the underworld to be the princess. In the ending of the movie, Ofelia died in reality, but in the mythical story, she returned back to the underworld and met her father and mother there. The story happens in reality is the true reflection of the real world, in which innocent people are killed. While the fairy tale implies that people are pursuing a stable life and looking forward to peace.
在电影中，许多主角都是象征性的。 Ofelia根据佛朗哥政权代表西班牙。 Ofelia的母亲Carmen是天主教会的象征，因为天主教是西班牙的国家信仰（Liu 57）。继父Vidal上尉代表Franco Regime（Yue 46）。在神秘的故事中，Ofelia需要完成三个任务才能回到黑社会。第三个任务是杀死她的小弟弟，但她拒绝用她哥哥的血来换取她幸福的生活。最后，Ofelia并未将她的小弟弟送给Faun，但她也被Vidal船长杀死，因为他想要自己养小孩。婴儿代表着西班牙的未来和新生活。新政权的诞生是一个复杂的过程，必须有牺牲和血统（岳47）。梅赛德斯是维达尔船长的仆人，实际上是反法兰克战斗机和游击队的间谍。她总是保护Ofelia和她的小弟弟。因此，梅赛德斯代表共产党人和善良。游击队杀死了维达尔船长，这象征着完成佛朗哥政权的愿望。作为迷宫守卫的法恩也是一个重要的象征。 Faun是一个古老的罗马神，有一个男人的腿，一个山羊的角。梅赛德斯曾经警告Ofelia，Faun很棘手。在第二项任务中，Ofelia没有听梅赛德斯的命令并做出了自己的决定，最后，她完成了任务。因此，Faun象征着人们可以选择的欺骗性和不同的选择。
In the movie, many main characters are symbolic. Ofelia represents Spain under the Franco Regime. Ofelia’s mother Carmen is the symbol of the Catholic Church because Catholic is the national belief of Spain (Liu 57). And the step-father Captain Vidal represents Franco Regime (Yue 46). In the mythical story, Ofelia needs to complete three tasks to go back to the underworld. The third task was to kill her little baby brother, but she refused to use her brother’s blood for an exchange of her happy life. Finally, Ofelia did not give her baby brother to Faun, but she also killed by Captain Vidal for he wanted to keep the baby by himself. The baby represents the future and the new life of Spain. The birth of a new regime is a complicated process, and there must be sacrifice and blood (Yue 47). Mercedes, who is the servant of Captain Vidal, was actually a spy of anti-Franco fighter and guerrilla. She always protected Ofelia and her baby brother. Therefore, Mercedes represents the communists and kindness. The guerrilla killed Captain Vidal, which symbolizes the wish of finishing Franco regime. Faun, the guard of the labyrinth, is also an important symbol. Faun is an ancient Roman god with the body of a man and legs and horns of a goat. Mercedes used to warn Ofelia that Faun is tricky. In the second task, Ofelia did not listen to Mercedes’ order and made her own decision and finally, she completed the task. Therefore, Faun symbolized deceptive and different choices that people can choose.
象征性的对象是葡萄和曼德拉。 Ofelia同意完成这三项任务，在完成第二项任务后，她忽略了Faun警告她不要碰任何东西。 Ofelia忍不住诱惑，吃了两颗葡萄。葡萄代表着诱惑，这意味着无论战争的哪一方，没有人能够避免在战争中成为好的一面的概念。 Faun给了Ofelia Mandrake以减轻她母亲的病情。曼德拉克是一种神奇的草，需要在血液和牛奶中培育。 Mandrake被Vital船长发现，而Ofelia的母亲将其投入火中。曼德拉克象征着未知的社会观念，但它被独裁者摧毁了。血液和牛奶的滋养也意味着无论谁将统治国家，人们都会流血（刘58）。一些政治观念虽然没有像曼德拉那样完成而死亡，人们有时无法做出正确的选择来鼓励激进的裁决方式，因为他们有时无法抵抗一些诱惑，就像奥菲莉亚不能停止吃葡萄一样（刘58 ）。
总之，电影用来揭示战争残酷，人们追求稳定和安全保护的信息。如果发生战争，人们是第一个受到伤害的人，比如维达船长杀死的两名普通猎人，因为他怀疑他们是叛乱分子。这部电影从小女孩的角度集中讨论这些问题，强调战争的残酷和和平生活的美好愿望。
The symbolic objects are the grapes and mandrake. Ofelia agreed to do the three tasks and after finishing the second task, she ignores what Faun had warned her not to touch anything. Ofelia could not resist the temptation and ate two grapes. Grapes represent temptation, which means no matter which side of the war, no one could avoid the concept of being the good side in a war. Faun gave Ofelia Mandrake to relieve her mother’s illness. Mandrake is a magic grass, which needs to be fostered in blood and milk. Mandrake was discovered by Captain Vital and Ofelia’s mother threw it into fire. The mandrake symbolized the unknown society conception, but it was destroyed by the dictator. Fostered in blood and milk also implies that people will bleed no matter who will rule the country (Liu 58). Some politic conception died while it was not completed just like the mandrake, and people sometimes could not make the right choice to encourage the radical way of ruling for they sometimes could not resist some temptation just like Ofelia could not stop eating the grapes (Liu 58).In sum, the symbols the movie uses to reveal the message that war is cruel and people are pursuing a stable and safe protection. If there is a war, people are the first to be hurt, such as the two ordinary hunters who were killed by Captain Vidal just because he suspected that they were rebels. This movie concentrates on these problems from the perspective of a little girl to emphasize the cruelty of war and the good wishes of a peaceful life.
Works Cited
Liu, Ying. “The Modeling Metaphor of Magical Castle in Pan’s Labyrinth.” Movie Literature: 17, 2017:57-59.
Yue, Lan. “An Analysis on Metaphor and Multiple Connotations in Pan’s Labyrinth.” Movie Review: 3, 2016. 46-48.
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